Ian Wilson has now composed six numbered string quartets, all of them with evocative titles, and the fourth, fifth and sixth of them are included on this disc, alongside the Lyric Suite, a sequence of seven miniature elegies composed in 2004. The Belfast-born Wilson moved to Belgrade in 1998, but was forced by Nato bombing to return to the Republic of Ireland a year later, and these three quartets were composed in an 18-month period after his return. They are all influenced by his time in Serbia and use a wide range of extended playing techniques to reflect something of that traumatic experience, rapidly alternating and contrasting material of different characters. They are all imposing, highly wrought structures. The Fourth Quartet, Veer, is in two movements and apparently inspired by two paintings by Munch, while the Fifth and Sixth -... Wander, Darkling, and In Fretta, In Vento - which also reflects Wilson's reaction to 9/ 11, are both extended single musical spans, and both wonderfully vivid in these performances by the Callino Quartet.
This CD received its launch two weeks ago in Bantry at the Callino festival and a remarkable contribution to the contemporary Irish repertoire it is. Wilson's 4th, 5th and 6th quartets, all written within an 18-month period shortly after he was forced to relocate from Belgrade due to the NATO bombing in 1999, are presented here alongside his 2004 'Seven Elegiac Pieces' (Lyric Suite). The stark coldness of the 4th, 5th and 6th is achieved with some extraordinary extended string techniques whilst the Lyric Suite allows the Callino Quartet exploration more specific to their own honeyed sound.
Ian Wilson is the Irish composer who seems most ready to engage with the string quartet. This new disc includes his Fourth (Veer), Fifth ('wander, darkling'), and Sixth (In fretta, in vento), as well as the later Lyric Suite of 'Seven Elegiac Pieces'. The most impressive work here, and the one with the longest unbroken span, is the 18-minute Fifth, a piece that is often sonically pinched and emotionally anguished - it was written during one of the most difficult times in the composer's life. The lashing first movement of the Edvard Munch-inspired Fourth is like its expressive inversion. The Sixth and the elegies are more diffuse and seem by comparison rather less effective, even in the Callino Quartet's excellent performances.